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Despite its tremendous influence on the mainstream rock that followed, it's hard to think of another album that sounds much like Nirvana's Nevermind, a record with so much more pop and punk punch than any music it inspired. Of course, no diamond-certified, canonical treasure hitting the two-decade mark can be left well enough alone in 2011-- especially one that changed the lives of a lot people now approaching middle age, with the discretionary income to prove it. After all, "super deluxe" reissues of classic albums don't even have to be tied to an anniversary these days. But Nevermind is 20 this week, still a pretty respectable number in a world where any milestone marks an excuse to shift a few more units. The only question is whether these reissues-- a single-disc remaster, a 2xCD "deluxe" version, and a 4xCD+DVD "super-deluxe" edition-- are that rare essential repurchase that makes you hear an album you've possibly exhausted in new ways, or if it's just another mediocre jumble of odds and ends that inadvertently reveals the flaws and blemishes carefully excised from the original 12-song set.
But it's a little hard to tell whether or not you're listening to the album clean, since the label's ubiquity throughout the ``Nevermind Live!`` box puts us in the position of choosing whether we're more excited to hear the songs as they sounded in that final show, or as they were mixed and mastered for the album. Which is actually no bad thing-- how we experience a record gets a little more complicated with each passing decade. If really tasting a piece of rock and roll that defined a decade were as easy as comparing a digital facsimile to a multi-disc reissue, it wouldn't be such a complicated business to unblock. But when the original media has its own legacy, it gets just as messy. So when we were tasked with creating a box of mostly new music to complement the reissue of Something in Between the Shells, I left no stone unturned in my hunt for live music that felt as good as what was recorded on vinyl. d2c66b5586
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